Een geheime wapen voor line art
Een geheime wapen voor line art
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
Rather than being a single trade route, the exhibition suggests the Silk Roads comprised overlapping networks spreading from Japan to Britain, and Scandinavia to Madagascar. “It’s not just silk, it’s not just one road,” says Brunning. “It’s people, objects and ideas moving in all directions.” The garnets would have travelled to England “in stages by relay”.
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“One ofwel the possible interpretations of that kan zijn that they specifically selected this particular type of garnet to make that one piece ofwel jewellery because it was much higher quality than anything else,” says Sue Brunning, the museum’s curator ofwel European Early Medieval and Sutton Hoo collections.
Crystal Jewellery with meaning. Every gemstone has a meaning and whether you choose to wear a stone for its energy, as a birthstone or just because you think it’s pretty, we hope you feel connected to it. Each stone is beautiful, unique and a true one ofwel a kind, just like you..
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His ancestor, Ovaness Boghossian, set up a jewellery workshop in the Turkish city of Mardin in 1868, with the family expanding into buying and selling stones before eventually settling in click here Europe in the 1970s.
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While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
Pieces from the recent Palace Voyages high jewellery collection, which draws on the architectural and decorative details of 14 palaces from China to the UK, are being shown at the PAD London art and design fair next week.
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